Topic:  Post Picture

Numeric
1:1 2:3 pulldown 2,000′ reel
2-pop 3:2 pulldown
A
A & B cutting A & B printing A & B rolls
{Laboratory}
"A" or "B" wind "A" wind AB reel(s)
absolute colorimetric acceleration editing acetone
{Film Editing}
Acmade code(s) Acmade rubber numbers action cutting
additive printer additive printing American montage
Animascope animation cel animation crane
animation stand animation table APL
{Picture}
archive footage "A-roll" artistically compatible
assemble assembly assembly list
associational editing A-track auto assembly
auto key tracking automatic transition average gradient
average picture level
B
"B" wind background cel(s) balance
{Visual Aesthetics}
base-to-base splice beauty shot
{Soap Opera}
best light
big reel bin blackout
blink bluescreen boarder merger
bookends bouncing ball breakdown
{Film}
"B-roll" bullet time bumper
butt splice butt-weld splice
C
camera original camera tracking caption(s)
cel animation cel(s) celluloid
cement splice(r) CGI character cel(s)
check checkerboard cutting chroma key tracking
chromakey(ing) closing credits code number(s)
coded edge number(s) colorization colorized
compilation editing complementary complexity editing
compositing computer animation computer generated imagery
conform
{Picture}
conformations conforming
convergence count down leader counter
{Device}
crawl credit cookie credit title(s)
credits creeper title cross processing
cue patch cut
{Editing}
cut list
cut only cutting cutting on action
cutting on the beat
D
D.I.
{Picture}
defocus transition de-interlacing
DI
{Picture}
digital (video) effects digital compositing
digital intermediate digital negative digital source master
discontinuity editing dissolve dissolve to
double reel down conversion drop shadow
DSM dunning dust-busting
DVE dynamic range
{Picture}
E
E.D.L. edge numbers edgecode(s)
edit edit in edit out
edit points editing bench editing bin
ellipsis elliptical editing end credits
end titles epilogue external composition
external graticule
F
fade
{Picture}
fade to black fade-in
{Picture}
fade-out
{Picture}
film cement film edge number(s)
film edge numbering film editing film notcher
film scanner flash cutting flash frame
flash shot flip(-over) wipe float
{Film Movement}
flop-over footage number(s) frame animation
freeze
{Effect}
freeze-frame (shot) fringing
full Academy aperture
G
gamut gate tension geneva cross
geneva movement go to black gradation
gradient grain reduction graphic match
graticule guillotine splicer
H
highlights
{Image Density}
horse hot hole
hot splice(r)
I
image
{Picture}
ink codes ink numbers
insert titles intellectual montage intended ratio
intercut shots intercuttability inter-cutting
internal graticule intertitles invisible cut(ting)
invisible editing
J
jaggies judder jump cut
juxtaposition
K
key number(s) keyframe keying
KEYKODE ™
L
laboratory laboratory film lap dissolve
last frame of action last frame of picture latent edge number(s)
latent image edge numbering LFOA library shot
loupe
{Editing}
M
main title (sequence) main titles maltese cross
manual assembly mask(ing)
{Picture}
match cut
match dissolve match frame edit match-action cut
matched cut matched shots match-image cut
matching (on) action
{Editing}
matching check symbols matchmoving
match-on-action matte painting Mercer Clip ™
modulation transfer curve montage editing morph(ing)
mosaic motion capture motion graphics
movematch movie coda Moviola ™
Moviscop multi-plane camera techniques
N
native format
O
O.C.N. opening credits (sequence) opening titles
optical effects optical(s) original aspect ratio
overlap splice
P
paper tape performance capture photo-realistic
pixelization "pop a track" post credits scene
post-credits sequence pre-credit (sequence) print
prologue protective master push-over
Q
Quicktime ® video
R
relational editing reverse action reverse motion
{Picture}
rewind rewinding rewinds
rivas roll-up title Rotoscope
Rotoscoping rough mix rubber numbers
S
segue selects sepia tone
shock cut shot/reverse/shot cutting skip frame
smash cut SMPTE leader soft transition
solarization spherical print spinning newspaper
splice(r) splice types splicing
splicing block splicing tape split-screen
spring lock sprocket(s) stinger
{Credits}
stock footage stock number(s) stock shot
straight cut streamer subliminal cut
subtitle(s) superimpose superimposition
sync buzz
T
tag
{Credit}
tape splice(r) TBC
thin
{Image}
tight wind tight wind hub
title title card(s) title design
titles tracking edit transcoding
transition transitional technique translation
travelling matte shot travelog shots trim bin
trims type C printer
U
Ultimatte Corporation ultrasonic splice(r) underscan
up conversion
V
vault box vignette
{Picture}
visual editing
visual effects
W
wipe
{Editing}
workprint/worktrack
X
XFR
Y
Y M C numbers
Z
zone zoptic special effects


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Created:  July 13, 2009 — Last modified:  May 13, 2012
This is visit # 1295 since July 13, 2009.